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Chapter 72,400 wordsCompleted

After the events at the beach house, the narrator is taken into custody. At the police station he is questioned briefly, then released. A week later the examining magistrate summons him. In a curtained room the magistrate, a tall, fine‑featured man with deep‑set blue eyes, a long gray moustache and almost white hair, conducts a formal interview, asking for basic personal data and whether the narrator has hired an attorney. The narrator declines to hire one, noting the law will appoint one for him. The magistrate’s demeanor is polite but his curiosity grows. The narrator later meets a young, short, chubby lawyer in his prison cell. The lawyer, dressed in a dark suit with a wing‑collared shirt and striped tie, introduces himself and reviews the case file, stating they can win if the narrator trusts him. He asks about the recent death of the narrator’s mother at the old‑people’s home, the narrator’s behavior at the funeral, and whether he felt sadness. The narrator offers a vague answer, says he “probably did love Maman,” and refuses to say he had held back feelings. The lawyer becomes upset, warning the narrator not to repeat those statements at the hearing and insisting on a particular narrative. The magistrate calls the narrator back for a second interrogation. His office is hot and sun‑lit; a young clerk sits behind the narrator typing. The magistrate, noting the narrator’s taciturn nature, presses him to revisit the day of the shooting, the beach, the five gunshots, and the motives. He repeatedly asks why the narrator paused between the first and second shot and why he shot a body on the ground, receiving no answer. The magistrate then brandishes a silver crucifix, launches into a fervent, religious monologue asserting that every man believes in God and must repent. He asks the narrator if he believes in God; the narrator says no. The magistrate becomes agitated, shouting that he is a Christian and demanding forgiveness for the narrator’s sins. Despite the narrator’s refusals, the magistrate declares the narrator’s soul “hardened.” The session ends with the magistrate asking if the narrator is sorry; the narrator replies he is more annoyed than sorry. Subsequent meetings involve the magistrate, the lawyer, and occasional clerks. Over time the magistrate’s tone softens, he stops bringing up religion, and the interrogations become routine, brief conversations. The investigation stretches over eleven months, during which the narrator is repeatedly escorted back to the magistrate’s office, sometimes receiving a friendly pat on the shoulder and the sign‑off “That’s all for today, Monsieur Antichrist.” By the end of the investigation the narrator feels oddly integrated into the procedural “family,” and the legal process appears to be moving toward a resolution.

Running Summary
Cumulative summary through the selected chapter (not the full-book final summary).
Through chapter 7

The narrator travels from Algiers to the Marengo old‑people’s home, learns of his mother’s death, attends a night vigil in a mortuary, witnesses her friends’ silent mourning, and later participates in the funeral procession to the village church, noting the oppressive heat and the emotional reactions of the caretaker, director, and Thomas Pérez. After his mother’s burial, the narrator spends Saturday swimming at the harbor where he reunites with former office typist Marie Cardona, shares flirtatious moments, watches a Fernandel film with her, and learns she knows of his mourning. On Sunday he roams the neighborhood, observes families, street‑car crowds, soccer fans returning from the stadium, and the gradual evening bustle, before cooking a simple dinner and reflecting that life has not changed despite the loss. The narrator spends a workday after his mother’s burial, runs after a noisy truck with coworker Emmanuel, eats at Céleste’s café, encounters his abusive neighbour Salamano and the neighbour’s mangy spaniel, and is drawn into a violent revenge plot when warehouse guard Raymond Sintés asks him to write a threatening letter for his cheating mistress. The narrator spends a weekend with Marie Cardona, swimming and sharing an intimate encounter, then returns to his apartment where a domestic‑violence episode involving Raymond and his mistress erupts, leading to police intervention; Raymond coerces the narrator into lying as a witness and they go drinking, play pool and avoid a brothel; later Salamano’s beloved dog disappears, prompting a distressed discussion. Raymond invites the narrator to a beach house and asks him to watch for an Arab who might follow him; the narrator’s boss proposes opening a Paris office and asks for his opinion, which the narrator deflects; Marie proposes marriage and they discuss love, later strolling through town and planning a dinner at Céleste’s; at the restaurant a bizarre, meticulous little woman appears and the narrator follows her after she leaves; Salamano returns with his lost dog, recounts his own past, and reveals that neighbors resent the narrator for sending his mother to the old‑people’s home. The narrator, Marie, Raymond and Raymond’s friend Masson spend a day at a beach house, swim, eat fried fish and plan a joint summer stay; later two Arab men confront them, a fight erupts, Raymond is wounded and the narrator ultimately shoots one of the Arabs after a tense standoff. The narrator is arrested and undergoes a series of interrogations by an examining magistrate, meets a young lawyer who probes his feelings about his mother’s death, and endures a months‑long investigation marked by the magistrate’s religious tirades before the process settles into a more routine, almost familial routine over an eleven‑month span.