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After Nhamo’s death Tambu is taken to Uncle Babamukuru’s white‑painted house. The contrast with her village home is striking; she is greeted by Anna, the house‑girl who kneels and calls her “Sisi Tambu.” Nyasha, Babamukuru’s daughter, initially appears detached but soon laughs, and the two engage in a long, awkward conversation mixing Shona and broken English, revealing past resentment (Nyasha felt ignored after the family’s return from England) and Tambu’s jealousy of Nyasha’s privileged upbringing. Their bond is described as a first‑love‑like affection.
Dinner is a formal affair with Maiguru serving unfamiliar Western food. Tambu struggles with knives, forks and a strange gravy‑covered side dish. Nyasha volunteers to make gravy and then quarrels with Babamukuru over her reading of D. H. Lawrence’s Lady Chatterley’s Lover. Babamukuru condemns the book, Maiguru defends Nyasha, exposing the clash of colonial morality and youthful curiosity. Babamukuru then delivers a long speech to Tambu, stressing obedience, hard work, and the responsibility she now carries for her poorer relatives, presenting his “blessing” as a family‑wide opportunity.
Domestic small‑scale power plays follow: Tambu is chastised for not knowing the light‑switch, for using the panelled toilet incorrectly, and for mishandling a spoon. Anna delivers brief messages (e.g., to show Tambudzai the bathroom). Tambu feels both superior (sitting near the uncle) and inferior (constant corrections), creating an inner conflict between her peasant self‑image and her new mission identity.
The next day Tambu begins at the mission school. She notes the blue gym‑slips, the siren that signals class changes, the strict prefects, and the rhythm of Sunday School. She quickly becomes class monitor, excels academically, and is praised for diligence. Nyasha is portrayed as highly intelligent, reading from Enid Blyton to the Brontës, and absorbing political histories (South Africa, Nazis, colonial geopolitics), debating these topics with Maiguru and the headmaster.
Gender expectations surface when Tambu experiences her first menstrual period. Embarrassed, she receives tampons and instructions from Nyasha, who teases her about virginity and the “tampon versus man” comparison. Later Maiguru reveals she holds a Master’s degree, a fact Tambu learns only after questioning her aunt. Maiguru’s bitterness about sacrificing her own ambitions for domestic duties underscores limited avenues for educated women.
Nyasha’s rebellious side intensifies: she smokes a cigarette, refuses to finish her food, argues with her parents, and threatens to lose car rides and school privileges if she does not behave. Babamukuru repeatedly warns her, showing his authoritarian parenting style.
Throughout the chapter Tambu oscillates between wanting to be accepted as part of the educated household and feeling exposed as a “peasant” in an unfamiliar setting. She momentarily glorifies herself, comparing her future to Babamukuru’s steadfastness, but everyday humiliations (using a fork, not knowing the light‑switch) bring her back to self‑doubt. The chapter ends with Tambu lying in bed, wrestling with the light switch, feeling both superior and inferior, and resolving to use the opportunity Babamukuru has provided to the fullest.
Key themes reinforced are colonial contradictions, gender inequality, class mobility versus identity, and intricate family power dynamics.