Chapter Seventeen

Chapter 171,571 wordsCompleted

After the missionaries leave Umuofia, they travel to Mbanta and request a plot of land for a church. The villagers, reluctant to host them, offer a portion of the “Evil Forest,” a place believed to house dangerous spirits and the remains of the terribly ill. The missionaries clear the forest, build a red‑earth and thatch structure, and miraculously survive the four days that the villagers expected would bring death. Their survival is attributed to a mysterious “white man’s fetish” (glasses).

Soon the missionaries, led by Mr Kiaga, win their first three converts. Nwoye, Okonkwo’s son, has been secretly attracted to the new faith since its arrival but has avoided the missionaries out of fear of his father. He begins attending their open‑air preaching and learns their simple stories. A woman named Nneka, heavily pregnant and previously bearing twins that were discarded, also joins the Christians, bringing her husband Amadi’s disapproval.

One day Okonkwo’s cousin Amikwu sees Nwoye among the Christians and reports it to Okonkwo. Later that afternoon Nwoye returns home, is greeted by his father, and is violently seized by Okonkwo, who beats him with a heavy stick and threatens to kill him. Uchendu intervenes, ordering Okonkwo to release Nwoye. Nwoye escapes, returns to the church, and tells Mr Kiaga that he intends to go to Umuofia to attend the missionary school. Mr Kiaga praises his decision, proclaiming that abandoning one’s parents for God is blessed.

That night Okonkwo sits alone by a log fire, brooding. He imagines taking his machete to the church and wiping out the missionaries, but then rationalizes that Nwoye is not worth fighting for. He laments his misfortune, interpreting his son’s betrayal as the hand of his personal god (chi) and fears that his children might abandon the ancestral gods entirely. He envisions a future where all his male offspring follow Nwoye’s path, causing the extinction of traditional worship, and vows he would annihilate them. Okonkwo reflects on his nickname “the Roaring Flame,” questioning how a fiery man could produce a “degenerate” son, and finally concludes that “living fire begets cold, impotent ash.” This internal monologue underscores his desperation, anger, and existential crisis regarding his lineage and cultural erosion.