Chapter Five

Chapter 52,511 wordsCompleted

As the New Yam Festival approaches, Umuofia prepares for a communal celebration honoring Ani, the earth goddess. Men and women clean their homes, decorate walls, and paint their bodies. Okonkwo, though a capable farmer, feels uneasy about prolonged feasting and prefers work. Three days before the festival his wives scrub the walls with red earth, draw colorful patterns, and decorate themselves. Their children are also ornamented.

Okonkwo, walking in suppressed anger, questions who “killed the banana tree.” When his second wife, Ekwefi, admits she trimmed a few leaves, he beats her severely and leaves her and their daughter weeping. He then decides to hunt with his old rusty gun, despite never having used it successfully. He asks Ikemefuna to fetch the gun; the wife mutters that the gun never shoots. Mistaking her words for criticism, Okonkwo rushes to the barn, fires the gun at her, but only the report is heard and she is unharmed. He drops the gun, sighs, and leaves the barn.

Despite this incident, the New Yam Festival proceeds with great joy. On the first day Okonkwo offers a sacrifice of new yam and palm‑oil to his ancestors. In‑laws from three neighboring villages arrive, bringing large pots of palm‑wine. The feast continues into the night. The second day is marked by a wrestling match between Okonkho’s village and its neighbors. Ekwefi, now a woman of forty‑five who once won Okonkwo’s heart by defeating the champion Cat, is especially excited for the wrestling. She and her ten‑year‑old daughter Ezinma prepare food: Ekwefi boils a fowl, plucks its feathers, and discusses fire and future events with Ezinma, who predicts the wrestling match.

Ezinma helps Nwoye’s mother (Okonkho’s first wife) with fire and cooking. As drums begin to beat from the village’s ilo, signaling the wrestling dance, the family rushes to finish their pottage. Children, including Ikemefuna, Nwoye, and Obiageli, arrive carrying pots; Obiageli breaks her pot and cries. The drums persist, becoming the heartbeat of the village. Ekwefi serves Okonkho his portion of the pottage; Okonkho shouts “Sit like a woman!” at Obiageli and refuses Ezinma’s offer to carry his chair, emphasizing gender roles.

Throughout the chapter the festival’s customs, the tensions in Okonkho’s household, and the communal excitement for the wrestling match are detailed, culminating with the drums echoing as the wrestling contest approaches.