Chapter 1: CHAPTER 1 - Never Talk with Strangers
In Moscow, editor Mikhail Berlioz and poet Ivan Ponyrev (Homeless) meet at Patriarch’s Ponds, share a fleeting supernatural vision, and are joined by a impeccably dressed foreign professor who later reveals himself as Woland, a specialist in black magic, sparking debates over atheism and a prophecy of Berlioz’s bizarre death. Simultaneously, in Jerusalem, Pontius Pilate conducts Yeshua Ha‑Nozri’s trial, condemns him and two criminals to execution on Bald Mountain, while Woland’s presence links the ancient judgment to the Moscow surrealities. After Berlioz is decapitated by a tram, Ivan spirals into a frantic chase of Woland across the city, ends up confined in a psychiatric clinic, and witnesses the transformation of Margarita—who, after accepting Azazello’s mysterious cream, becomes a witch and hosts Woland’s Great Ball of the Full Moon, a night of impossible guests, violence, and magical reversals. The Master and Margarita, together with Woland, Koroviev, Behemoth and their retinue, finally escape the collapsing Moscow in a night‑flight, leaving the city shrouded in mist and forgotten as a relic of their infernal theatre. In the story’s quiet epilogue, the surviving characters disperse to new lives, while Ivan, now a university researcher, returns each full moon to the same pond, forever haunted by the number‑filled dream that memorializes the vanished world.
Primary Author
Mikhail Bulgakov
Source Title
The Master and Margarita
Publisher
Penguin Classics
Language
en
Summary Language
English
Published Date
2006-04-15T12:04:18+00:00
Published Year
2006
Rights
Not available
Contributors
Identifiers
ISBN - 9780141188287
UUID - 1B5B06B2-AC2D-45F2-A621-54AB74B1DEA8
Description
<p class="description">SUMMARY:<br>Surely no stranger work exists in the annals of protest literature than The Master and Margarita. Written during the Soviet crackdown of the 1930s, when Mikhail Bulgakov's works were effectively banned, it wraps its anti-Stalinist message in a complex allegory of good and evil. Or would that be the other way around? The book's chief character is Satan, who appears in the guise of a foreigner and self-proclaimed black magician named Woland. Accompanied by a talking black tomcat and a "translator" wearing a jockey's cap and cracked pince-nez, Woland wreaks havoc throughout literary Moscow. First he predicts that the head of noted editor Berlioz will be cut off; when it is, he appropriates Berlioz's apartment. (A puzzled relative receives the following telegram: "Have just been run over by streetcar at Patriarch's Ponds funeral Friday three afternoon come Berlioz.") Woland and his minions transport one bureaucrat to Yalta, make another one disappear entirely except for his suit, and frighten several others so badly that they end up in a psychiatric hospital. In fact, it seems half of Moscow shows up in the bin, demanding to be placed in a locked cell for protection. <br> Meanwhile, a few doors down in the hospital lives the true object of Woland's visit: the author of an unpublished novel about Pontius Pilate. This Master--as he calls himself--has been driven mad by rejection, broken not only by editors' harsh criticism of his novel but, Bulgakov suggests, by political persecution as well. Yet Pilate's story becomes a kind of parallel narrative, appearing in different forms throughout Bulgakov's novel: as a manuscript read by the Master's indefatigable love, Margarita, as a scene dreamed by the poet--and fellow lunatic--Ivan Homeless, and even as a story told by Woland himself. Since we see this narrative from so many different points of view, who is truly its author? Given that the Master's novel and this one end the same way, are they in fact the same book? These are only a few of the many questions Bulgakov provokes, in a novel that reads like a set of infinitely nested Russian dolls: inside one narrative there is another, and then another, and yet another. His devil is not only entertaining, he is necessary: "What would your good be doing if there were no evil, and what would the earth look like if shadows disappeared from it?"<br> Unsurprisingly--in view of its frequent, scarcely disguised references to interrogation and terror--Bulgakov's masterwork was not published until 1967, almost three decades after his death. Yet one wonders if the world was really ready for this book in the late 1930s, if, indeed, we are ready for it now. Shocking, touching, and scathingly funny, it is a novel like no other. Woland may reattach heads or produce 10-ruble notes from the air, but Bulgakov proves the true magician here. The Master and Margarita is a different book each time it is opened. --Mary Park --This text refers to
Chapter 2: CHAPTER 2 - Pontius Pilate
Chapter 3: CHAPTER 3 - The Seventh Proof
Chapter 4: CHAPTER 4 - The Chase
Chapter 5: CHAPTER 5 - There were Doings at Griboedov’s
Chapter 6: CHAPTER 6 - Schizophrenia, as was Said
Chapter 7: CHAPTER 7 - A Naughty Apartment
Chapter 8: CHAPTER 8 - The Combat between the Professor and the Poet
Chapter 9: CHAPTER 9 - Koroviev’s Stunts
Chapter 10: CHAPTER 10 - News From Yalta
Chapter 11: CHAPTER 11 - Ivan Splits in Two
Chapter 12: CHAPTER 12 - Black Magic and Its Exposure
Chapter 13: CHAPTER 13 - The Hero Enters
Chapter 14: CHAPTER 14 - Glory to the Cock!
Chapter 15: CHAPTER 15 - Nikanor Ivanovich’s Dream
Chapter 16: CHAPTER 16 - The Execution
Chapter 17: CHAPTER 17 - An Unquiet Day
Chapter 18: CHAPTER 18 - Hapless Visitors
Chapter 19: CHAPTER 19 - Margarita
Chapter 20: CHAPTER 20 - Azazello’s Cream
Chapter 21: CHAPTER 21 - Flight
Chapter 22: CHAPTER 22 - By Candlelight
Chapter 23: CHAPTER 23 - The Great Ball at Satan’s
Chapter 24: CHAPTER 24 - The Extraction of the Master
Chapter 25: CHAPTER 25 - How the Procurator Tried to Save Judas of Kiriath
Chapter 26: CHAPTER 26 - The Burial
Chapter 27: CHAPTER 27 - The End of Apartment No. 50
Chapter 28: CHAPTER 28 - The Last Adventures of Koroviev and Behemoth
Chapter 29: CHAPTER 29 - The Fate of the Master and Margarita is Decided
Chapter 30: CHAPTER 30 - It’s Time! It’s Time!
Chapter 31: CHAPTER 31 - On Sparrow Hills
Chapter 32: CHAPTER 32 - Forgiveness and Eternal Refuge
Chapter 33: Epilogue
Young poet known as Homeless, author of anti‑religious poem, debates with Berlioz and the stranger. Appears as a ghost‑like figure on the veranda, brandishing a candle and demanding the capture of the foreign consultant. Diagnosed with schizophrenia in a psychiatric clinic; ages himself 23; denounces Riukhin and seeks the foreign consultant; attempts to call police; sedated and moved to private room 117. Now a university researcher who annually walks to Patriarch’s Ponds on the spring full moon, follows a ritual route, and experiences a recurring dream involving a mysterious figure ‘number 1‑18’ and a woman who kisses his forehead.
Editor of a Moscow literary journal, engages in debate about Jesus and meets the mysterious stranger. His decapitated and mutilated body is discovered in a morgue room; his death is confirmed.
Tall, well‑dressed foreigner, claims to be a historian and specialist in black magic, offers consultation and predicts Berlioz's death. Claims personal presence at Pilate's balcony and garden, displays one green insane eye and one black dead eye, asserts he arrived moments ago and seeks to prove the devil exists Identified by Ivan as the foreign consultant who killed Berlioz; his name is only known to start with ‘W’. Foreign professor of black magic who arrives in Stypha's apartment, presents a contract, food, and a supernatural retinue. Revealed his past as a museum historian who won 100,000 roubles, retired to a basement near Arbat, wrote a novel about Pontius Pilate, suffered hostile newspaper attacks, burned his manuscript, and lives with a secret lover; now a patient in the clinic
High priest of Yershalaim who debates Pilate over which condemned man should be spared; insists Bar‑Rabban be released.
Roman legate who receives Pilate’s orders, coordinates troop movements to Bald Mountain.
Centurion of the Twelfth Lightning legion, extremely tall and disfigured, executes the whipping of Yeshua and escorts prisoners.
Former tax collector who met Yeshua at Bethphage, initially hostile, later follows him. Attempts to intervene in the execution, writes on a stone tablet, curses God, steals a knife, fails to save Yeshua, later frees the dead bodies before disappearing
Records the trial, writes down sentences, delivers messages, and notes Pilate’s orders.
Roman procurator of Judea, afflicted by a severe headache and a hatred of rose oil; conducts Yeshua's trial.
Commander of a Syrian cavalry unit that escorts the condemned to Bald Mountain.
Vagrant from Galilee, accused of inciting rebellion; claims innocence, teaches anti‑authority philosophy, knows Greek, associated with Matthew Levi.
Appears at the Bronnaya/Yermolaevsky Lane exit, offers directions and tries to sell a pint, described with a chicken‑feather moustache and tiny eyes
Critic who repeatedly notes the time and the need to keep the meeting on schedule.
Young poetess who dances at midnight.
Representative of the poetry section who dances at midnight.
Quiet, decently dressed writer who notes the time and comments on the heat of the meeting.
Poetry‑section member who dances at midnight.
Writer of sea‑battle stories who boasts about dachas and criticises envy.
Dancer in the midnight revelry.
Member who shouts about Lavrovich’s dacha and the river.
Dancer in the midnight revelry.
Poet lounging with his feet in yellow rubber‑treaded shoes, expresses boredom.
Scenarist who interrupts the argument and comments on dacha allocations.
Novelist who bitterly complains about his wife’s goitre and the unfairness of the system.
Writer from Kronstadt attending the midnight celebration.
Orphan writer who remarks on the meeting’s schedule and mentions the Klyazma.
Doorman who, after the chaos, is taken away with the police and the poet.
Member who joins Deniskin in shouting about Lavrovich.
Poet who, together with the doorman, is carried out of Griboedov’s during the turmoil.
Architect who dances with a stranger in white canvas trousers.
Poetry‑section member who dances at midnight.
Poetry‑section member who dances at midnight.
Poetess who dances with Glukharev during the chaotic midnight dance.
Visitor from Rostov who joins the midnight revelry.
Author of sketches who argues for tea on the balcony.
Berlioz’s assistant who arrives from the morgue, takes over Berlioz’s office and summons the board.
Novelist who dances with a movie actress in a yellow dress.
Master of ceremonies at Griboedov’s who greets Riukhin with wine and watches him drink alone.
White‑coated psychiatrist who examines Ivan, orders sedation, and assigns a private room.
Woman in a white coat who fills paperwork, holds a broken candle and icon, and administers the sedative injection to Ivan.
Agitated poet present in the clinic; later transported by truck back to Moscow and ends up drinking alone at Griboedov’s.
Red‑haired supernatural attendant in Woland's retinue, comments on Stypha's role as director. Azazello transports Margarita, appears in both the grand hall and the bedroom, and assists Woland during the chess game. Arrives carrying the Master and Margarita, joining the farewell procession on Sparrow Hills.
Giant black cat serving Woland, holds vodka and a pickled mushroom. Whistles a powerful note that triggers the catastrophic upheaval of Moscow during the farewell ride.
Housekeeper of the apartment, mentioned but absent during the chaotic events.
Director of the Variety Theatre who awakens in cursed apartment No. 50 on Sadovaya Street and encounters Woland and supernatural beings.
Chief of the psychiatric clinic who interrogates Ivan and orders him to stay and write a report. Administers calming injection to Ivan, assuring him his distress will pass.
Delivers telegrams from Yalta to Rimsky and Varenukha
Appears in Styopa's apartment hall, kisses Varenukha before he collapses
Financial director of the Variety Theatre, office on Sadovaya Street
Administrator of the Variety Theatre, central to telegram plot Appears in Rimsky's office, tells a fabricated story about Styopa Likhodeev, shows an unexplained bruised face, pallor, old scarf, and casts no shadow; later transforms and disappears after a dead girl opens the door.
Nurse who comforts Ivan, closes blinds, gathers his pages and brings them to the doctor.
Chairman of the Acoustics Commission who demands exposure of Woland's tricks.
Master of ceremonies who is decapitated by Behemoth and later restored.
Checkered clown‑assistant of Wolond, later identified as Koroviev. Koroviev greets Margarita, explains the fifth‑dimension space, informs her about the ball, and leads her through the hall to the bedroom. Comments on the quality of the whistle, stretches his body, and produces his own magical whistle during the farewell scene. Reappears as a dark‑violet knight with gloomy face, riding beside Woland
Wife of Arkady Sempleyarov, present in his box.
Promising debutante from Saratov, relative of Sempleyarov.
Foreign magician who stages a chaotic seance at the Variety Theatre. Woland appears in the bedroom, hosts a chess game with Margarita, shows a magical globe, and summons Abaddon. Leads the farewell procession, declares the end of Moscow, uses his cloak to cover the sky, and summons the final disappearance of the city.
Editorial secretary who returned Professor W.'s manuscript, saying the publisher would not consider it for two years
Witnesses the second scantily‑clothed woman on Sadovaya Street during the post‑show scandal.
Secretary of the house management on Sadovaya Street, mentioned as possibly involved in theft of Soviet money.
Mistress linked to the hidden treasure of Dunchil, appears in the dream narrative.
Short, fair‑haired citizen who voluntarily confesses to possess $1,020 in gold hidden with his aunt.
Wife of Sergei Dunchil, referenced during his interrogation.
Unnamed master of ceremonies who runs the dream theatre program, repeatedly urges audience to turn over currency.
Chairman of house committee at 302‑bis Sadovaya Street, detained in clinic room 119, interrogated about hidden $400 and Koroviev, experiences a surreal dream‑theatre.
Aunt of Kanavkin, alleged keeper of his hidden gold on Prechistenka.
Actor who performs a distorted version of Pushkin’s ‘The Covetous Knight’ in the dream theatre, collapses and is dismissed.
Accused man claimed to hide $18,000 and a necklace in Kharkov; his wife appears; he is expelled from the dream stage.
Host of the dream theatre, greets audience, announces Bosoy’s appearance and directs the theatrical proceedings.
Ash‑coloured dog known as the famous Ace of Diamonds, appears in the findirector’s office, growls at the broken window, howls, and is taken away.
Personal secretary of Prokhor Petrovich, appears sobbing with smeared lipstick and mascara, pleading for help.
Chairman of the Commission on Spectacles and Entertainment, heard shouting in the chaotic commission office.
Bookkeeper and senior member of the Variety staff, tasked with reporting to the Commission and handling the day's receipts.
Girl selling literature at the city affiliate, weeps, sings hysterically, and experiences mass hypnosis with staff.
Variety Theatre barman who meets Woland, receives a death prophecy, and later consults Professor Kuzmin about his predicted liver cancer.
Maid in a lacy apron who greets the barman at the front hall and directs him toward Woland’s study.
Woman who runs naked across the courtyard while Professor Kuzmin watches, contributing to his disorientation.
Berlioz’s uncle, industrial economist from Kiev, comes to Moscow to claim Berlioz’s apartment No. 50 and is thwarted by Koroviev, the cat and Azazello.
Medical professor at First MSU who examines the barman, orders tests, and is haunted by a kitten and a dancing sparrow.
Assistant who helps Professor Kuzmin after the kitten appears, fetching the kitten and guiding Kuzmin’s actions.
Margarita receives a mysterious cream from Azazello, applies it, undergoes a magical transformation that gives her levitation and flight, writes a farewell note to her husband, and escapes on a broom. Margarita is chosen as hostess of the Spring Ball of the Full Moon and learns of her alleged royal blood; she meets Woland, Azazello, Hella, Behemoth and Abaddon in a surreal bedroom scene. Woland is asked to also take Margarita with the Master Rides alongside the supernatural entourage, endures a powerful whistle that hurls her from her horse, witnesses massive destruction of Moscow’s skyline, and sees the city vanish. Delivers final monologue promising the Master an eternal refuge of peace, music and loved ones
Natasha assists Margarita in packing clothes, reacts awestruck to the transformation, and watches her depart.
Nikolai Ivanovich, a neighbor, sits on a bench observing Margarita, receives her farewell, and is knocked over by a discarded shift.
A gaunt figure in dark glasses named Abaddon briefly materialises in Woland’s room and disappears on Woland’s command.
A naked witch named Hella tends a sulphur‑smoking pot and applies ointment to Woland’s knee in the bedroom scene.
A black bird‑driver (the rook) transports Margarita in a flying car, lands it in a cemetery and crashes it into a ravine before disappearing.
Employee of the Spectacles Commission, invited by Woland, killed at midnight with his blood filling a cup. Baron Meigel enters apartment 50 as a guest, disappears, and later his charred corpse is found on the burning parquet after the cat’s firefight.
A young woman who repeatedly chants her name, drinks champagne, and later disappears in the chaos.
A lady with a green neck band and a Spanish boot, who sold poison water to husbands.
Annushka, known for spilling sunflower oil and causing scandals, is seen at the stairwell with a can and bag; she loses a magical horseshoe to a foreign stranger who pays her.
A foreigner in a white waistcoat, first speaking with a strong accent, takes Annushka’s horseshoe, pays her two hundred roubles, then loses his accent and warns her not to hide stolen items.
The Master appears in Woland’s bedroom, sick, wearing a hospital robe, author of a burned manuscript about Pontius Pilate, becomes anxious, collapses and vanishes. Woland is instructed to take the Master to peace, resolving his fate Experiences intense emotional turmoil, bids farewell to Moscow, sees the city’s destruction, and declares his farewell completed. Transformed with white hair, braid, spurs on jackboots; learns his novel is unfinished and is granted freedom and an eternal home
Secret‑service chief of Pilate, presents murder evidence, discusses burial and hunt for killers
Murder victim whose death sparks the investigation
Young Greek woman pursued by Judas
Assistant of the secret guard who oversaw the burial
A disheveled young man arrives from a Crimea flight, wearing a sheepskin hat, Georgian cape, nightshirt and blue leather slippers, and is taken for questioning, indicating Woland’s infiltration of the Variety Theatre.
Briefly occupies the findirector’s post at the Variety Theatre after Rimsky’s resignation and later moves to Briusovsky Lane and Rimsky’s office.
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