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CHAPTER 10 - News From Yalta

Chapter 103,915 wordsCompleted

The scene opens in the second‑floor office of the Variety Theatre on Sadovaya Street, where financial director Rimsky sits at his desk surrounded by old posters, a water carafe, armchairs and a dust‑covered safe. His administrator Varenukha, restless and trying to avoid “seekers of free passes,” is present. A thick stack of freshly printed posters announces “Professor Woland – Seances of Black Magic and its Full Exposure.” Both men argue about the absurdity of Woland’s appearance; Rimsky is angry that Styopa Likhodeev, who had signed a contract with Woland and handed over money, has vanished.

A messenger girl in a uniform jacket arrives with a small white square and a notebook, delivering a “super‑lightning telegram” from Yalta. The telegram reports that a brown‑haired man (Styopa) appeared in Yalta in a nightshirt, shoeless, and was linked to a criminal investigation concerning Woland. A second telegram follows, mentioning “hypnosis” and confirming the connection between Likhodeev and Woland. Rimsky and Varenukha compare the handwriting on the telegram to Styopa’s contract, conclude it is his own, and panic over the impossibility of Styopa traveling instantly from Moscow to Yalta. They decide to send 500 roubles to Yalta to settle the “investigation” and instruct Varenukha to deliver it personally.

Varenukha, while trying to secure tickets for the upcoming Woland show, receives a threatening phone call from an anonymous voice demanding he not take the telegrams anywhere. Irritated, Varenukha rushes to the summer garden, where a sudden storm gathers. A short, fat, cat‑like man (identified as Koroviev) appears, strikes Varenukha on the ear, followed by a red‑haired, athletic man (Azazello) who delivers a second blow. A third unseen attacker joins, and they demand the briefcase containing the telegrams. They seize the briefcase, beat Varenukha, and drag him through flood‑filled Sadovaya, down the gutter, and into building No. 302‑bis.

Inside the hallway of Styopa Likhodeev’s apartment (apartment 50), the supernatural thugs disappear and a naked red‑haired girl with phosphorescent eyes steps forward. She places her cold hands on Varenukha’s shoulders, whispers a tender promise of a kiss, and as she leans in Varenukha faints, never feeling the kiss. The chapter ends with Varenukha unconscious on the cold floor of the apartment hall.

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Through chapter 10

Two Moscow literary figures, editor Mikhail Alexandrovich Berlioz and poet Ivan Nikolaevich Ponyrev (Homeless), meet at the deserted Patriarch’s Ponds, experience a brief supernatural vision, and argue over an anti‑religious poem about Jesus. A tall, impeccably dressed foreign stranger—later identified as a professor, historian and specialist in black magic—joins them, debates atheism, predicts a bizarre death for Berlioz, and offers a consulting invitation to Moscow, hinting that Jesus did exist. Pontius Pilate conducts the Jerusalem trial of Yeshua Ha‑Nozri, interrogates him about inciting rebellion, learns of his background with Matthew Levi, and hears his radical teachings. Pilate confirms the death sentence for the four criminals—Yeshua, Dysmas, Gestas, Bar‑Rabban—but, after a tense discussion with High‑Priest Joseph Kaifa, orders that Bar‑Rabban be released and the other three be taken to Bald Mountain for execution. He oversees the public announcement on the city platform, the crowd’s reaction, and the dispatch of the condemned men to the execution site. Professor W. asserts he was present on Pontius Pilate’s balcony and in the garden during the Yeshua trial, revealing his unstable condition; a bizarre citizen in checkered trousers appears at the Bronnaya/Yermolaevsky Lane exit; Berlioz rushes to a telephone, is struck by a tram and decapitated, ending his storyline. Ivan Nikolaevich Ponyrev, paralyzed after Berlioz’s death, hears a frantic woman mention “Annushka” and links the name to Professor W., whom he confronts. He then chases the professor through Bronnaya, Patriarch’s Lane, Spiridonovka, Nikitsky Gate, Arbat Square, and several side streets, encountering a bizarre black cat that boards a tram, a mysterious choirmaster, and a checkered‑trousers citizen. Ivan fails to catch the professor, discovers the professor’s hideout at house 13, apartment 47, where he meets a naked woman named Kiriushka, takes a candle and a paper icon, and escapes. He reaches the Moscow River amphitheatre, swims in the icy river, loses his clothes to a bearded fellow who disappears, improvises a makeshift outfit, and decides to head toward Griboedov’s while avoiding notice on the crowded streets. Massolit members convene at Griboedov’s after Berlioz’s death, discover his corpse, and hold a frantic meeting; Ivan Nikolaevich Homeless appears as a ghost‑like figure demanding the capture of the mysterious foreign consultant, provoking chaos and a police‑ready response. Ivan Nikolaevich Ponyrev (Homeless) is confined to a newly built psychiatric clinic on the Moscow riverbank, where a male doctor diagnoses him with schizophrenia and orders a private room (117) after a tumultuous interview. He denounces Riukhin, insists the mysterious foreign consultant is linked to Pontius Pilate, and repeatedly tries to call the police. Riukhin, the agitated poet who was with Ivan, is later taken by truck back to Moscow, arrives at Griboedov’s, and spends the dawn drinking alone. New characters appear: the doctor, a female nurse, and the master of ceremonies Archibald Archibaldovich. Styopa Likhodeev awakens in the cursed apartment No. 50 on Sadovaya Street, confronts the foreign black‑magic professor Woland who arrives with a bizarre breakfast, a contract for a Variety Theatre show, and a retinue of supernatural beings (a giant black cat, the checkered‑trousers citizen, Azazello, and a red‑haired man). The apartment’s haunted history of vanished lodgers is recounted. Styopa discovers a wax seal on Berlioz’s study door, learns of his own forgotten contract, and attempts to call the Variety’s director Rimsky. The surreal scene escalates with mirror‑reflected apparitions, culminating in Styopa losing consciousness and waking on a jetty in Yalta. Ivan awakens in a psychiatric clinic, undergoes a full medical examination, and is interrogated by the clinic’s chief, Doctor Stravinsky, who orders him to remain in the facility, to write a written declaration about the mysterious consultant and Pontius Pilate, and promises assistance. Koroviev, the checkered‑trousers citizen, appears as an interpreter for the foreign magician Woland, persuades the tenants’ chairman Nikanor Bosoy to rent the late Berlioz’s apartment 50 to Woland for a week, draws up a contract and receives a large payment, but the money and documents vanish, sparking panic, accusations and further chaos among the building’s residents. Rimsky, the financial director of the Variety Theatre, and his administrator Varenukha receive a series of bizarre telegrams from Yalta that claim Styopa Likhodeev is in the city, involved with Professor Woland, and under hypnosis. They compare the handwriting to Styopa’s contract, send 500 roubles to the Yalta office, and Varenukha, after a threatening phone call, is seized by the cat‑like Koroviev and the red‑haired Azazello, who steal his briefcase of telegrams, drag him through a storm‑riddled Sadovaya street to building No. 302‑bis, and finally into Styopa’s apartment where a naked red‑haired woman appears, kisses him and he collapses.