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CHAPTER 7 - A Naughty Apartment

Chapter 74,049 wordsCompleted

Styopa Likhodeev, director of the Variety Theatre, awakens disoriented in his bed—once the jeweller’s wife’s former bedroom—in apartment 50 on Sadovaya Street, a building notorious for mysterious disappearances. He struggles with nausea, flashing visions, and a heavy bell in his head, recalling a promised kiss to an unknown lady. As he forces his eyes open, he sees his distorted reflection and an unknown man in a black beret. The stranger introduces himself in a heavy foreign accent as Professor Woland, a professor of black magic, and produces a golden watch that chimes eleven times, announcing his arrival at the appointed ten‑o’clock.

Woland offers Stypha a tray of hors d’œuvre—caviar, pickled mushrooms, frankfurters in tomato sauce—and a glass of vodka, insisting that two glasses of vodka with pickled food will cure him. While drinking, Stypha’s memory begins to return: he recalls the previous day at sketch‑writer Khustov’s dacha in Skhodnya, a gramophone, howling dogs, and an unnamed lady he tried to kiss. Woland then recounts that he arrived in Moscow, offered his show to the Variety, and that Stypha had signed a contract for seven performances, receiving an advance of ten thousand roubles and promising thirty‑five thousand roubles. Stypha examines the contract, sees his own signature and Woland’s, and is stunned.

Seeking help, Stypha calls the Variety’s findirector Rimsky, confirming the contract’s existence, and learns the show will proceed. He then notices a massive wax seal on the door of Berlioz’s study, triggering frantic thoughts about a recent article he wrote for Berlioz’s journal and their earlier conversation on 24 April. He tries to call the housekeeper Grunya, but receives no answer.

In the hallway mirror, Stypha sees a long‑legged figure and a giant black cat, both disappearing. He hears a voice (Woland’s) assuring him the cat is his “retinue” and that Grunya has been sent to Voronezh. More apparitions appear: the checkered‑trousers citizen, a black cat holding vodka and a pickled mushroom, and a short, broad‑shouldered man with a bowler hat and a fang. A red‑haired man (Azazello) arrives, commenting on Stypha’s position as director, and the cat (the checkered one) critiques Stypha’s conduct. The room becomes chaotic; Stypha is knocked unconscious after the bedroom spins and he hits a doorpost.

He awakens on a stone jetty by the sea, under a blue sky, with a white city on distant mountains. A lone smoker with wild eyes sits on the jetty, spits, and answers Stypha’s question, revealing the location is Yalta. Overwhelmed, Stypha collapses onto the jetty stone and loses consciousness again.

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Through chapter 7

Two Moscow literary figures, editor Mikhail Alexandrovich Berlioz and poet Ivan Nikolaevich Ponyrev (Homeless), meet at the deserted Patriarch’s Ponds, experience a brief supernatural vision, and argue over an anti‑religious poem about Jesus. A tall, impeccably dressed foreign stranger—later identified as a professor, historian and specialist in black magic—joins them, debates atheism, predicts a bizarre death for Berlioz, and offers a consulting invitation to Moscow, hinting that Jesus did exist. Pontius Pilate conducts the Jerusalem trial of Yeshua Ha‑Nozri, interrogates him about inciting rebellion, learns of his background with Matthew Levi, and hears his radical teachings. Pilate confirms the death sentence for the four criminals—Yeshua, Dysmas, Gestas, Bar‑Rabban—but, after a tense discussion with High‑Priest Joseph Kaifa, orders that Bar‑Rabban be released and the other three be taken to Bald Mountain for execution. He oversees the public announcement on the city platform, the crowd’s reaction, and the dispatch of the condemned men to the execution site. Professor W. asserts he was present on Pontius Pilate’s balcony and in the garden during the Yeshua trial, revealing his unstable condition; a bizarre citizen in checkered trousers appears at the Bronnaya/Yermolaevsky Lane exit; Berlioz rushes to a telephone, is struck by a tram and decapitated, ending his storyline. Ivan Nikolaevich Ponyrev, paralyzed after Berlioz’s death, hears a frantic woman mention “Annushka” and links the name to Professor W., whom he confronts. He then chases the professor through Bronnaya, Patriarch’s Lane, Spiridonovka, Nikitsky Gate, Arbat Square, and several side streets, encountering a bizarre black cat that boards a tram, a mysterious choirmaster, and a checkered‑trousers citizen. Ivan fails to catch the professor, discovers the professor’s hideout at house 13, apartment 47, where he meets a naked woman named Kiriushka, takes a candle and a paper icon, and escapes. He reaches the Moscow River amphitheatre, swims in the icy river, loses his clothes to a bearded fellow who disappears, improvises a makeshift outfit, and decides to head toward Griboedov’s while avoiding notice on the crowded streets. Massolit members convene at Griboedov’s after Berlioz’s death, discover his corpse, and hold a frantic meeting; Ivan Nikolaevich Homeless appears as a ghost‑like figure demanding the capture of the mysterious foreign consultant, provoking chaos and a police‑ready response. Ivan Nikolaevich Ponyrev (Homeless) is confined to a newly built psychiatric clinic on the Moscow riverbank, where a male doctor diagnoses him with schizophrenia and orders a private room (117) after a tumultuous interview. He denounces Riukhin, insists the mysterious foreign consultant is linked to Pontius Pilate, and repeatedly tries to call the police. Riukhin, the agitated poet who was with Ivan, is later taken by truck back to Moscow, arrives at Griboedov’s, and spends the dawn drinking alone. New characters appear: the doctor, a female nurse, and the master of ceremonies Archibald Archibaldovich. Styopa Likhodeev awakens in the cursed apartment No. 50 on Sadovaya Street, confronts the foreign black‑magic professor Woland who arrives with a bizarre breakfast, a contract for a Variety Theatre show, and a retinue of supernatural beings (a giant black cat, the checkered‑trousers citizen, Azazello, and a red‑haired man). The apartment’s haunted history of vanished lodgers is recounted. Styopa discovers a wax seal on Berlioz’s study door, learns of his own forgotten contract, and attempts to call the Variety’s director Rimsky. The surreal scene escalates with mirror‑reflected apparitions, culminating in Styopa losing consciousness and waking on a jetty in Yalta.