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CHAPTER 9 - Koroviev’s Stunts

Chapter 93,220 wordsCompleted

After the commission led by Zheldybin seals Mikhail Berlioz’s manuscripts in apartment 50, chairman Nikanor Ivanovich Bosoy of the tenants’ association at 302‑bis on Sadovaya Street is bombarded with thirty‑two frantic declarations about the vacant rooms. Overwhelmed, he flees the house, returns, forces his way into the sealed study and finds a skinny, checkered‑trouser citizen with a jockey’s cap – the same mysterious figure seen earlier. The man introduces himself loudly as “Koroviez” and claims to be an interpreter for a foreign artist, Mr Woland, who has been invited by director Stepan Bogdanovich Likhodeev to stay in the apartment during his performances. Koroviez produces Likhodeev’s forgotten letter, convinces Nikanor that renting the three rooms to Woland for a week is profitable, and promises a hefty daily rent. Despite Nikanor’s scepticism about foreigners living in private flats, Koroviez pressures him, offers to show the cat, and finally secures Nikanor’s agreement.

Koroviez draws up two copies of a contract, obtains Woland’s signature, and extracts a payment of three‑thousand‑five‑hundred roubles for the week, handing the cash in five stacks while making whimsical remarks. He also issues theatre passes for Nikanor and his wife Pelageya Antonovna and hands over Woland’s passport for temporary registration. While Nikanor wonders how Koroviez entered the sealed study, a low voice from the bedroom accuses him of being a crook, which Koroviez silences.

Later, a tenant named Timofei Kvastsov calls an unknown bureau, reporting that Nikanor has hidden four‑hundred dollars in the ventilation of his privy and begging secrecy. Nikanor, believing the money belongs to him, wraps the cash in newspaper and hides it in the ventilation duct. Shortly after, he drinks vodka, eats pickled herring, and is interrupted by a doorbell. Two pale citizens, followed by Pelageya, enter the dining room demanding papers. A confused exchange ensues, during which Nikanor discovers the wad he received is not roubles but strange bluish‑green money with an old portrait. In panic he opens his briefcase, finds only a folding ruler, and the cash, contract, passport and theatre passes have vanished. He cries out for help, accusing “unclean powers” in the house, while his wife urges repentance. The scene ends with Nikanor staggering out of the building, muttering, as other tenants watch his drunken, bewildered departure.

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Through chapter 9

Two Moscow literary figures, editor Mikhail Alexandrovich Berlioz and poet Ivan Nikolaevich Ponyrev (Homeless), meet at the deserted Patriarch’s Ponds, experience a brief supernatural vision, and argue over an anti‑religious poem about Jesus. A tall, impeccably dressed foreign stranger—later identified as a professor, historian and specialist in black magic—joins them, debates atheism, predicts a bizarre death for Berlioz, and offers a consulting invitation to Moscow, hinting that Jesus did exist. Pontius Pilate conducts the Jerusalem trial of Yeshua Ha‑Nozri, interrogates him about inciting rebellion, learns of his background with Matthew Levi, and hears his radical teachings. Pilate confirms the death sentence for the four criminals—Yeshua, Dysmas, Gestas, Bar‑Rabban—but, after a tense discussion with High‑Priest Joseph Kaifa, orders that Bar‑Rabban be released and the other three be taken to Bald Mountain for execution. He oversees the public announcement on the city platform, the crowd’s reaction, and the dispatch of the condemned men to the execution site. Professor W. asserts he was present on Pontius Pilate’s balcony and in the garden during the Yeshua trial, revealing his unstable condition; a bizarre citizen in checkered trousers appears at the Bronnaya/Yermolaevsky Lane exit; Berlioz rushes to a telephone, is struck by a tram and decapitated, ending his storyline. Ivan Nikolaevich Ponyrev, paralyzed after Berlioz’s death, hears a frantic woman mention “Annushka” and links the name to Professor W., whom he confronts. He then chases the professor through Bronnaya, Patriarch’s Lane, Spiridonovka, Nikitsky Gate, Arbat Square, and several side streets, encountering a bizarre black cat that boards a tram, a mysterious choirmaster, and a checkered‑trousers citizen. Ivan fails to catch the professor, discovers the professor’s hideout at house 13, apartment 47, where he meets a naked woman named Kiriushka, takes a candle and a paper icon, and escapes. He reaches the Moscow River amphitheatre, swims in the icy river, loses his clothes to a bearded fellow who disappears, improvises a makeshift outfit, and decides to head toward Griboedov’s while avoiding notice on the crowded streets. Massolit members convene at Griboedov’s after Berlioz’s death, discover his corpse, and hold a frantic meeting; Ivan Nikolaevich Homeless appears as a ghost‑like figure demanding the capture of the mysterious foreign consultant, provoking chaos and a police‑ready response. Ivan Nikolaevich Ponyrev (Homeless) is confined to a newly built psychiatric clinic on the Moscow riverbank, where a male doctor diagnoses him with schizophrenia and orders a private room (117) after a tumultuous interview. He denounces Riukhin, insists the mysterious foreign consultant is linked to Pontius Pilate, and repeatedly tries to call the police. Riukhin, the agitated poet who was with Ivan, is later taken by truck back to Moscow, arrives at Griboedov’s, and spends the dawn drinking alone. New characters appear: the doctor, a female nurse, and the master of ceremonies Archibald Archibaldovich. Styopa Likhodeev awakens in the cursed apartment No. 50 on Sadovaya Street, confronts the foreign black‑magic professor Woland who arrives with a bizarre breakfast, a contract for a Variety Theatre show, and a retinue of supernatural beings (a giant black cat, the checkered‑trousers citizen, Azazello, and a red‑haired man). The apartment’s haunted history of vanished lodgers is recounted. Styopa discovers a wax seal on Berlioz’s study door, learns of his own forgotten contract, and attempts to call the Variety’s director Rimsky. The surreal scene escalates with mirror‑reflected apparitions, culminating in Styopa losing consciousness and waking on a jetty in Yalta. Ivan awakens in a psychiatric clinic, undergoes a full medical examination, and is interrogated by the clinic’s chief, Doctor Stravinsky, who orders him to remain in the facility, to write a written declaration about the mysterious consultant and Pontius Pilate, and promises assistance. Koroviev, the checkered‑trousers citizen, appears as an interpreter for the foreign magician Woland, persuades the tenants’ chairman Nikanor Bosoy to rent the late Berlioz’s apartment 50 to Woland for a week, draws up a contract and receives a large payment, but the money and documents vanish, sparking panic, accusations and further chaos among the building’s residents.