ХОЁР. ШӨНИЙН БУУДЛАГА
In the “Stone‑Cave” chapter the expedition sets up a temporary base in the remote Bichig Bogd region and works for three days gathering rock samples. Most of the material consists of volcanic tuff, garnet‑bearing rocks and pegmatite; quartz veins are common, while true metamorphic rocks are rare. Thin‑banded cassiterite‑bearing schists contain copper, arsenic and sulfide minerals, but in concentrations too low for economic use.
On the second day Bayar notices a bright quartz vein with a suspicious gold tint. He photographs the outcrop and shows the image to the Russian geologist Nikolay Panov, who suggests drilling two small hand‑drilled pits to test the mineralisation. The two men begin digging a shallow hole to obtain samples.
During the drilling, the elderly former local guide Damdin appears, shivering and injured. He declines to join the survey, citing a recent leg injury and personal reasons, and leaves the team without a local guide.
While the rest of the party is occupied, Erdene decides to explore the surrounding outcrops alone, carrying his tools and a modest supply pack. As he moves deeper into the barren steppe, the rocks become heavier and the terrain more rugged.
At night Erdene hears a series of eerie “hoo‑hoo” cries coming from behind a ridge. He calls out “Who’s there?” but only the thin wind replies. The cries repeat, shifting direction, and he suspects they come from a small bird. He then spots a flash of bright red plumage on a jagged stone, hearing a shrill “huy‑ye” call. The bird darts away, its cry echoing off the cliffs, and the sounds become increasingly frantic, resembling a chorus of unseen birds laughing.
Alone on the ridge, Erdene hears intermittent high‑pitched giggles and fragments of dialogue (“You’ll get hurt if you move”). He imagines a phantom voice urging him to stay still, and the wind carries a distant, gun‑shot‑like crack, heightening his unease.
At dawn Bayar and the collector Tomor hear Erdene’s shouts and race to his location. They find him beside a small fire, clutching a cigarette, and the three share nervous laughter about the “red‑bird” mystery and the strange nocturnal noises.
The trio discusses why a red bird would be so noisy at night in such a desolate area. Tomor suggests the bird might be a predator mimicking other calls; Bayar jokes that the bird is “singing an opera” that the team heard earlier on the steppe. Erdene admits the experience felt almost supernatural, but all agree to refocus on their geological work.
The party returns to the drilling site, Panov continues sampling the quartz vein, and Bayar records the observations. As night falls they construct a crude stone shelter in a shallow depression (the “Zürkh Kharakhan” shelter) to wait out the darkness, still without a reliable local guide and aware that the steppe’s silence can be as unsettling as its mysterious sounds.