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ДӨРӨВ. ШӨНИЙН ДАЙН

Chapter 42,162 wordsCompleted

On the third day of the field survey the team—Professor Bat, geologists Erdene and Bayar, veteran Russian geologist Panov, collector Tomor, and driver Ider—pushes the Zis‑150 truck deep into the wide, dry govi. They travel at speed across a landscape of scattered herds, occasional water‑spouting wells, and jagged rock outcrops that glitter in the sun. The narrative describes the sudden appearance of water from the soil, the behavior of wild goats and other animals, and the striking multicolored cliffs that glow red‑orange in late afternoon light.

As night falls they find a relatively flat, stony spot, spread a blanket, and set up a makeshift camp. Some members roll out a bivouac, others prepare tea with the limited fuel and water they carry. Bat, who has abstained from food without a pre‑meal drink for years, extracts a bottle of strong spirit, pours about one hundred grams, and declares that he cannot eat without it. He offers the drink to the others, who accept reluctantly. The group shares a modest meal, then lies down to rest.

During the night a series of loud, unfamiliar noises—rumblings, popping sounds, and what sounds like distant artillery—startle the men. Erdene, who has been unable to sleep, wakes and describes the sounds as “war‑like” and wonders if a battle is unfolding in the steppe. The men discuss possibilities: stray gunfire, an airborne bomb, or a natural phenomenon. Panov suggests it might be a radio transmission or an unusual atmospheric event.

After a tense silence the noises change into a clear operatic melody identified as a piece from Tchaikovsky’s Eugene Onegin. The men recognize the music, debate why it would be heard in such a remote place, and speculate about a hidden radio transmitter or a nearby settlement broadcasting the opera. The discussion drifts to cultural references, including an exaggerated mention of Alexey Stahanov as a model Soviet worker. Bat laughs, admits he has lost his glasses, and jokes about “the wild steppe’s deadly trap.”

The mysterious sounds cease, and the men finally settle back into sleep. In the early morning they awaken, pack up, and decide to continue the survey despite the unresolved mystery, noting that the steppe’s hidden treasures—both geological and perhaps cultural—remain to be discovered.

Running Summary
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Through chapter 4

Bayar and Gerel, two recent university graduates, meet on a bench beneath the Sukhbaatar monument in central Ulaanbaatar and spend several hours discussing an upcoming opera, their studies, a request for a cigarette, and the uneasy tension in their friendship. The expedition team—professor Bat, geologist Erdene, Bayar, Russian geologist Nikolay Vladimirovich Panov, collector Tomor, and driver Ider—meets in a tavern to plan a remote field survey 200‑250 km from Ulaanbaatar, decides to travel on horseback, and schedules departure for 5 a.m. the next morning, while Bat delivers a lengthy historical monologue. The expedition departs at dawn in a Zis‑150 truck, with Ider driving and Erdene as co‑pilot. Inside the vehicle are Professor Bat, engineer‑geologist Bayar, collector Tomor, and veteran Russian geologist Panov. Bat launches an extensive monologue recalling a historic journey on the same road fifty years ago and offering philosophical musings, while Bayar wrestles with unresolved feelings for Gerel and exchanges a “Kazbek” cigarette with Ider. Panov shares his war background, and the team sets out toward the remote field site. The expedition spends its third day crossing the open steppe, sets up a night camp, hears strange noises that are later identified as an opera broadcast, and debates the source of the sounds while Bat continues his pre‑meal vodka ritual.

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