Back to Book Overview

VII

Chapter 72,708 wordsCompleted

The chapter opens with Liudas reflecting on the chaotic night of St Laurence’s indulgences. He remembers a hostile exchange with the vicar of Šilučiai, admitting that the vicar’s behavior was tactless and could have provoked him. The next day Liudas re‑examines his lingering memories of Liucė, the priest’s adopted daughter, recalling how his heart raced when she spoke to him, how he clumsily brushed his hand against hers, and how he resented his own nervousness and foolishness. He imagines a perfect coffee‑receiving scene with her, but the fantasies remain innocent and naïve.

Later, Liudas receives a letter from Petryla inviting him to leave the seminary a day early to visit the priest’s house. He accepts, expecting both priests and Liucė to be present. On the journey Liudas prepares himself like for a crucial exam, but his confidence wavers halfway as doubts flood him.

Arriving at Petryla’s homestead, Liudas is greeted warmly. Petryla introduces the young vicar Zigmas Trikauskas, a recent graduate of three courses at the St Petersburg Theological Academy, now assigned to the parish. Trikauskas is described as handsome, well‑educated, and full of pride, carrying a silver‑handled cane, a pistol with monograms, and a collection of opera librettos. He instantly takes an interest in Liucė, who lives in the klebon’s house; she is the orphaned daughter of the klebon’s late sister, raised by the klebon after her father’s death, educated in a Vilnius gymnasium, and talented at piano and opera singing. Their relationship is playful, with Trikauskas arranging concerts in the parish hall and flirting openly with Liucė.

The local klebon Kimša, an elderly priest who has long overseen the parish, observes Trikauskas’s ambition and subtly uses his weaknesses to keep him in line, eventually praising him as an exemplary priest. Kimša is also the guardian of Liucė, a fact Liudas learns during the evening.

During the indulgences, Liudas and Liucė share an awkward, almost intimate moment in the garden; Liudas tries to seize her hand, but she pulls away and laughs, leaving him embarrassed and ashamed. The encounter ends with Liudas feeling foolish and humiliated.

A village gathering follows, where Petryla’s family, the clerk Jonelaitis, and various young seminarians discuss the future of Lithuanian culture. A student raises the issue of Lithuanian intellectuals versus the clergy’s influence, invoking figures such as Valančius, Baranauskas and Maironis, and argues that the church has historically impeded Lithuanian progress. The debate becomes noisy; Liudas, uncomfortable, tries to steer the conversation back to the merits of the clergy, citing Valančius, Baranauskas and Maironis, but is rebuked by the student who points out the church’s role in perpetuating oppression. The discussion illustrates the growing nationalistic tension among the villagers.

After the debate, Trikauskas, Liucė, Kimša and the guests depart. Liudas attempts a final, clumsy greeting with Liucė, who presses his hand, smirks, and dismisses him with a mocking “fi!” The moment leaves Liudas mortified. He wanders the garden, watches the villagers argue about harvests, and hears the klebon’s guests discuss wine production. Exhausted, he returns to his carriage, carrying a box of biscuits, and departs for home, his thoughts filled with a mix of shame, lingering desire, and the awareness that his path forward is fraught with both personal and cultural obstacles.

Running Summary
Cumulative summary through the selected chapter (not the full-book final summary).
Through chapter 7

Liudas Vasaris awakens in the seminary, learns the strict daily bell schedule, experiences his first communion in the chapel, and begins adjusting to life among fellow first‑year seminarians. The seminary’s hierarchy is detailed: the bishop’s authority is limited, the rector (Valeškevičius) oversees daily life and grants permissions, Inspector Mazurkovskis enforces Polish traditions, and the spiritual father administers confessions. First‑year seminarians perform numerous chores (cleaning, serving meals, assisting in liturgies) and must master Polish and Latin while receiving only minimal Lithuanian instruction. Political tension over language rights fuels patriotic unrest among the seminarians. Liudas, looking back years later, recalls these routines, the strict punctuality, and the mixture of spiritual practice with menial labor. Liudas wrestles with the emptiness of his liturgical routine, adopts a two‑part conscience‑examination method with counting beads, confesses emerging sins such as pride, envy and criticism of elders, experiences a winter‑time scramble for a hidden bench by a wall niche, and during the Easter break a fellow seminarian (the formarijus) points out his overly closed and secretive nature, deepening his self‑awareness. After Easter, Vasaris walks with fellow first‑year seminarians Jonas Variokas and discusses his cynical ambition to climb the church hierarchy, which triggers deeper self‑doubt about his vocation. Vasaris observes the seminary’s strict rule against close friendships and notes the scarcity of truly pious peers. He and Variokas view a provocative illustration of a nude, bound woman, prompting Vasaris to confess to the spiritual father about his indecent curiosity. The chapter also recounts the earlier mishap of acolyte Balselis trying to extinguish candles. Variokas announces his departure and leaves the seminary; Liudas meets his parents for the first time in the seminary’s parlatorium and experiences humiliating address as “kunigėli,” fuelling his awareness of reputation and the need for secrecy; a clandestine gathering in the “zirkininkas” storage room erupts with food, Latin verses and heated jokes; third‑year clerk Jonelaitis and fellow clerk Kasaitis join the scene, discussing the monotony of seminary life and urging private initiative; Liudas reinforces his habit of hiding during silentium and carefully monitoring rector and inspector movements. Liudas finishes his first year, receives stern holiday conduct instructions from the spiritual father and rector, travels home and experiences an overwhelming connection with nature, returns to his village, is welcomed by his parents, begins parish life under a local priest, reunites with Petryla, observes clergy’s drinking and a strict vicar, meets the barmaid Liucė, and reflects on his vocation amid the contrast between seminary asceticism and village realities. After the St Laurence indulgences Liudas recalls a tense encounter with the vicar of Šilučiai, deepens his infatuation with Liucė by learning her orphaned background and musical talent, meets the young, aristocratic vicar Zigmas Trikauskas who arrives with Liucė, witnesses Trikauskas’ arrogance and the clever manipulation of the local klebon Kimša, and participates in a heated village discussion about Lithuanian cultural‑political issues, all of which intensify his inner doubts and his awkward, failed attempt at intimacy with Liucė.