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IX

Chapter 92,452 wordsCompleted

The chapter opens with the description of the grand indulgence of the Nativity of the Blessed Virgin Mary, a feast that doubles the workload for the seminarians. Because of his remarkable singing voice, Liudas Vasaris is taken away from his assistant duties by the choir professor and director, who deem him an indispensable chorister. The choir, freed from many liturgical obligations, spends the days before the feast rehearsing new pieces. On Saturday evening, families of clergymen arrive; the parlatorium buzzes with women’s laughter and the sound of new voices, which makes Liudas feel lonely and melancholy.

Liudas walks alone in the seminary garden, recalling a playful encounter with Liucė in Petryla’s garden. He feels a sudden emptiness and a yearning for a new, extraordinary encounter. Snow falls, the cathedral towers turn silver‑blue, and Liudas drifts into a dreamy reverie, imagining an idealized, unattainable lover.

The next morning, the choristers, including Liudas, rehearse for the upcoming mass. The liturgy begins with elaborate processions, candles, incense, and a richly decorated altar. As the mass proceeds, Liudas watches the congregation and, at the edge of the choir stalls, spots a young woman in a dark robe with a white silk shawl, dark hair tied in a wreath, and distant, sad eyes. He interprets her as a vision of an unknown, perfect feminine ideal, projecting his youthful longing onto her. He feels a surge of poetic love and a sense of communion with the whole church.

During the singing of the psalms, Liukas’s voice grows fuller, and his friends notice his sudden cheerfulness. They tease him about having guests, and Liudas laughs, enjoying the newfound attention. The evening’s dinner is noisy and jovial; the refectory is filled with clamor, and Liudas is among the first to join the singing. After Vespers, he spends the last half‑hour of the night with his friends, confident that the rector and inspector will not inspect the seminary that night.

Later, Petryla approaches Liudas in the garden and tells him that Liucė has written a letter and will soon come to the seminary. He jokes about her coming “with a suitcase” and teases Liudas about the upcoming meeting. Liudas feels a mixture of excitement and anxiety, but his longing for the mysterious woman he saw in the mass overshadows the practical anticipation of Liucė’s visit.

The chapter returns to the mass, now with the choir and clergy in full procession, incense thick, and the celebrant bearing a heavy cap. Liudas again steals glances toward the pillar where the unknown woman stands, feeling his chest warm and his resolve steady. After the mass, a solemn procession carries the monstrance; Liudas moves deliberately toward the pillar, hoping to glimpse her closer, but he only feels the brush of her silk as he passes. He falls asleep in his cold “labirintas” bed, dreaming of the woman’s face, while the festive day fades into night.

Running Summary
Cumulative summary through the selected chapter (not the full-book final summary).
Through chapter 9

Liudas Vasaris awakens in the seminary, learns the strict daily bell schedule, experiences his first communion in the chapel, and begins adjusting to life among fellow first‑year seminarians. The seminary’s hierarchy is detailed: the bishop’s authority is limited, the rector (Valeškevičius) oversees daily life and grants permissions, Inspector Mazurkovskis enforces Polish traditions, and the spiritual father administers confessions. First‑year seminarians perform numerous chores (cleaning, serving meals, assisting in liturgies) and must master Polish and Latin while receiving only minimal Lithuanian instruction. Political tension over language rights fuels patriotic unrest among the seminarians. Liudas, looking back years later, recalls these routines, the strict punctuality, and the mixture of spiritual practice with menial labor. Liudas wrestles with the emptiness of his liturgical routine, adopts a two‑part conscience‑examination method with counting beads, confesses emerging sins such as pride, envy and criticism of elders, experiences a winter‑time scramble for a hidden bench by a wall niche, and during the Easter break a fellow seminarian (the formarijus) points out his overly closed and secretive nature, deepening his self‑awareness. After Easter, Vasaris walks with fellow first‑year seminarians Jonas Variokas and discusses his cynical ambition to climb the church hierarchy, which triggers deeper self‑doubt about his vocation. Vasaris observes the seminary’s strict rule against close friendships and notes the scarcity of truly pious peers. He and Variokas view a provocative illustration of a nude, bound woman, prompting Vasaris to confess to the spiritual father about his indecent curiosity. The chapter also recounts the earlier mishap of acolyte Balselis trying to extinguish candles. Variokas announces his departure and leaves the seminary; Liudas meets his parents for the first time in the seminary’s parlatorium and experiences humiliating address as “kunigėli,” fuelling his awareness of reputation and the need for secrecy; a clandestine gathering in the “zirkininkas” storage room erupts with food, Latin verses and heated jokes; third‑year clerk Jonelaitis and fellow clerk Kasaitis join the scene, discussing the monotony of seminary life and urging private initiative; Liudas reinforces his habit of hiding during silentium and carefully monitoring rector and inspector movements. Liudas finishes his first year, receives stern holiday conduct instructions from the spiritual father and rector, travels home and experiences an overwhelming connection with nature, returns to his village, is welcomed by his parents, begins parish life under a local priest, reunites with Petryla, observes clergy’s drinking and a strict vicar, meets the barmaid Liucė, and reflects on his vocation amid the contrast between seminary asceticism and village realities. After the St Laurence indulgences Liudas recalls a tense encounter with the vicar of Šilučiai, deepens his infatuation with Liucė by learning her orphaned background and musical talent, meets the young, aristocratic vicar Zigmas Trikauskas who arrives with Liucė, witnesses Trikauskas’ arrogance and the clever manipulation of the local klebon Kimša, and participates in a heated village discussion about Lithuanian cultural‑political issues, all of which intensify his inner doubts and his awkward, failed attempt at intimacy with Liucė. Liudas enters his second year of seminary, moving from the cramped “labirintas” to a small shared room of four, no longer under constant supervision by a formarijus. He develops his first romantic and erotic attraction toward Liucė, wrestling with seminary teachings on celibacy. After a few weeks he is ordered by Inspector Mazurkovskis to relinquish his room and return to the labirintas; he protests, is mocked, and is forced to move back, feeling humiliation. Later he confesses a vague “excessive opposition” and receives stern admonition from the Spiritual Father, settling into resigned acceptance of the hierarchy. Liudas participates in the great Nativity of the Blessed Virgin Mary indulgence celebration; his choir talents free him from assistant duties and earn him praise; during the mass he experiences a vivid vision of an unknown woman, idealizing her as a poetic love; the celebratory atmosphere lifts his spirits and earns him admiration from fellow seminarians; Petryla informs Liudas that Liucė will visit the seminary soon, heightening his anticipation; after the festivities Liudas returns to the labirintas and falls asleep, still haunted by the vision.